Cute Drawings of Women in Hijabs Versus Prohibition on Representational Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you lot know a lot almost the men who "divers" their mediums. As with other subjects, most of what we learn about fine art history today however centers on white men from Europe and, subsequently, the Us. In reality, there are so many more artists of all genders to acquire from and appreciate.

Here, nosotros're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its near unsung heroes, these women artists all had a mitt — and, in some cases, still accept a paw — in changing the earth of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the piece of work of painters similar Cézanne and Monet while abroad, she returned to the U.s.a., becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'south Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is mayhap nigh well known for her serial of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female moving picture characters, amid them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the functioning Cut Piece, 1964, and a moving-picture show of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono as a musician and activist, but she's likewise an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she commencement staged in Nihon; Ono sat on stage in a nice accommodate and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her clothing. "Fine art is like animate for me," Ono has said. "If I don't practice information technology, I beginning to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you lot tin can go the viewer to look at a work of art, and so you might exist able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as one of the near influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'south Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she'southward also known for her hyper-real sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Offset Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale pare tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Ruby With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, y'all likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the offset woman painter to proceeds the respect of the New York fine art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best creative person in Okwui Enwezor'southward biennial exhibition All the World's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question guild, identity, and racial politics by demanding the audience to face truths nigh themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black homo with a simulated mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat'south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, noesis, and promise. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's fine art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic Due north American civilisation. In 2005, she was the kickoff Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is improve known for her installation art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Piddling Taste Outside of Honey, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'south seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and culture — in the 1970s and before. While at California Land University in Fresno, Chicago founded the first feminist fine art programme in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Cruel was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Savage founded the Barbarous Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the get-go Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just expect upwardly her almost famous work, Interior Scroll, and you'll see what nosotros mean.) She used her body to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal guild.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to yous? Well, that'due south the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual creative person known for her inexact replicas — that is, non-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth State of war Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing and so, displays various subcultures in formal portraits — but in a manner that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sunday) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Affect Laurels at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global bug such equally racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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